The first guitar I ever saw was in my grandparents’ basement. It had belonged to my uncle who died in World War II and had probably not been touched after he left for the army. I found it one day when I was playing down there, and although I was only about four or five years old, I managed somehow to prop the dusty old thing up on a chair. I remember standing there brushing one finger across the strings and thinking how cool it would be if I could actually play it. Completely out of tune, possibly with strings missing, it must have sounded dreadful, but I was enthralled. Playing the guitar was a little wish that I kept in the back of my mind for years.
In the sixth grade, I met a girl named Chrissie Sherman who was way too cool -- smart, popular, athletic, good looking – everything I wasn't but wanted to be. I wanted, in fact, to be just like her in every way. Then somebody told me that Chrissie Sherman played the guitar. That put me over the top.
Despite my parents having strained the family budget to buy a piano and give me lessons, I started asking for a guitar. As always in such circumstances, my mother said, “Well, you save your money, and when you have enough, you can buy one.” It was her way of approving a scheme without committing to pay for it.
I started saving every penny I could, mostly from my allowance, and in a year or so I took myself into our local Olsen’s Musicland and announced I had come to buy a guitar.
Mr. Olsen asked me how much I had to spend, and when I told him proudly that I had $8.50, he said that a guitar would cost about three times that much. A dream crushed! At that rate, I’d never be able to save enough to buy a guitar and be like Chrissie Sherman.
Aware of my disappointment, Mr. Olsen said, “I do have a ukulele that costs $8.50. How about that instead?”
Assuming that any stringed instrument with frets was close enough, I bought the little Harmony uke and took it home.
Armed with a “Ukulele Ike” book Mr. Olsen had thrown in, I managed to get the thing tuned. The songs in the book, however, gave me melody and words and chords, but what I knew about playing music on the piano did not translate. And it made my fingers sore. After a couple days, I put the thing in the closet and left it there.
I came across the ukulele a couple years later, and one evening when I was supposed to be doing my Latin homework, I took another crack at it, and this time it made sense. I was to strum the chords to accompany myself as I sang the tune. Duh.
I had a lot of fun playing that little ukulele. When I was in high school, my folks bought me a baritone uke for Christmas. It was 1962, and guitar-playing folk singers were all the rage. A baritone ukulele is just like a guitar that's missing two strings, so I had no trouble learning to play the guitar too, always somebody else's. In fact, I carried on playing borrowed guitars until 1967 when I finally bought one of my own.
One afternoon in the early 1970’s while I was sitting alone playing my guitar, it hit me for the first time that here was a dream that had actually come true. I remembered how often and how hard I had wished that I could play the guitar, and here I was doing it, and doing it pretty well.
I guess I owe it all to Chrissie Sherman, who, I found out later, did not and never had played the guitar at all.
Sunday, August 5, 2018
Wednesday, August 1, 2018
What chamber pot?
It was pointed out to me today that I haven’t posted anything in this here blog thing for several weeks. When no topic came immediately to mind, I consulted a Word document I keep on my hard drive entitled “blog ideas.” That’s where I jot down a few words to remind myself of subjects I might want to write about.
When I opened the document, I saw this on the first line:
Defenestrate – why?
Well, why, indeed? Why do we need a word that describes something so specific? (In case you’ve forgotten, it means to throw something or somebody out a window.)
We don’t have a word that means to save the pasta water when we drain the spaghetti, nor a word that means to put food in the dog’s dish, so why do we need a word that means to throw something out a window?
Could I use it in a sentence? Sure. “The Senator wants the bill to be defenestrated.” Or how about, “The defenestration of chamber pots is prohibited.”
Or, for a snappy come-back, there’s always, “Oh, go defenestrate yourself!”
When I opened the document, I saw this on the first line:
Defenestrate – why?
Well, why, indeed? Why do we need a word that describes something so specific? (In case you’ve forgotten, it means to throw something or somebody out a window.)
We don’t have a word that means to save the pasta water when we drain the spaghetti, nor a word that means to put food in the dog’s dish, so why do we need a word that means to throw something out a window?
Could I use it in a sentence? Sure. “The Senator wants the bill to be defenestrated.” Or how about, “The defenestration of chamber pots is prohibited.”
Or, for a snappy come-back, there’s always, “Oh, go defenestrate yourself!”
Wednesday, July 18, 2018
A Royal Leader's Loyal Readers
Don’t be fooled by today’s title – it has nothing to do with anything.
About three weeks ago I signed up to receive daily emails from Merriam-Webster (as in, Dictionary) in which they send me their Word of the Day. So far there have been two words I’d never heard of, both of which I promptly forgot, and one word that was familiar but I wasn’t exactly sure what it meant. I’ve forgotten that one too. Obviously, daily vocabulary injections are lost on me.
Anyway, what’s more fun are links in the email that lead to articles on M-W’s webpage that deal with words and word usage, and language in general. It was there that I discovered some new words that I liked.
One that I didn’t know even needed to have a word to mean what it means is acnestis, which is the name of the place in the middle of your back that is just out of reach so that it is impossible to scratch there if it itches without assistance or equipment.
Another very cool word is biblioklept, meaning someone who steals books. “Book thief” pales in comparison, doesn’t it?
I also liked agelast, which is somebody who never laughs. If you know somebody like that, don't take it lightly. Being an agelast is no laughing matter.
About three weeks ago I signed up to receive daily emails from Merriam-Webster (as in, Dictionary) in which they send me their Word of the Day. So far there have been two words I’d never heard of, both of which I promptly forgot, and one word that was familiar but I wasn’t exactly sure what it meant. I’ve forgotten that one too. Obviously, daily vocabulary injections are lost on me.
Anyway, what’s more fun are links in the email that lead to articles on M-W’s webpage that deal with words and word usage, and language in general. It was there that I discovered some new words that I liked.
One that I didn’t know even needed to have a word to mean what it means is acnestis, which is the name of the place in the middle of your back that is just out of reach so that it is impossible to scratch there if it itches without assistance or equipment.
Another very cool word is biblioklept, meaning someone who steals books. “Book thief” pales in comparison, doesn’t it?
I also liked agelast, which is somebody who never laughs. If you know somebody like that, don't take it lightly. Being an agelast is no laughing matter.
Tuesday, July 10, 2018
Pick your poison
Playwright Lillian Hellman once said that if you want to know how people will feel about you when you are dead, just go to Europe for a year. When you come back you’ll see how many people didn’t even notice you were gone.
Another way to learn what people think about you is to listen to the innocent voices of their children.
Whenever I visited my brother and his family, I liked to take a quick trip to a grocery store to pick up a loaf of plain old white bread for myself. I never cared for the kind my health-conscious relations always kept on hand, those multi-whole-grain loaves that resemble matted kitty litter.
One day when preparing lunch, my sister-in-law asked my five-year-old niece what kind of bread she wanted for her sandwich. The little girl replied, “I want some of Auntie Jan’s decadent white bread.”
So, how do you really feel about it?
Another way to learn what people think about you is to listen to the innocent voices of their children.
Whenever I visited my brother and his family, I liked to take a quick trip to a grocery store to pick up a loaf of plain old white bread for myself. I never cared for the kind my health-conscious relations always kept on hand, those multi-whole-grain loaves that resemble matted kitty litter.
One day when preparing lunch, my sister-in-law asked my five-year-old niece what kind of bread she wanted for her sandwich. The little girl replied, “I want some of Auntie Jan’s decadent white bread.”
So, how do you really feel about it?
Sunday, June 24, 2018
A Family Story
Yesterday, a minor yet nevertheless noteworthy event occurred that has set me to thinking about my great-grandparents, Turner and Anna Hefley, whom I’ve written about before (see in particular “The Honey-Do List,” December 12, 2016).
William Turner Hefley, a 22-year-old coal miner, and 19-year-old Anna Isabelle Conley were married in 1891 and went to housekeeping, as they used to say, in Hillsboro, Illinois. By 1906, Anna had borne five daughters, of whom the third, Blanche Alberta, was my mother’s mother. (A son would finally arrive in 1915.)
By all accounts, Turner was a hard-working, conscientious fellow, well respected in the community. Although never well to do, he provided adequately for his family, and Anna managed the household well.
A good seamstress, she saved money by making clothes for the children, but she longed for a sewing machine to make the work easier and go more quickly. Turner thought $69.95 was too much to spend on a contraption, and although she argued that it would save money in the long run, he would not agree to its purchase.
Then one evening as he was walking home from work with his months’ wages in his pocket, Turner passed by the music store. On display in its window was a beautiful upright piano of dark, polished wood. He stood gazing at it, imagining his house being filled with music, his daughters taking lessons and becoming accomplished young ladies who could play and sing.
With hardly a thought, he went into the store and bought the piano, then rounded up some pals to help him get it delivered to his house where he installed it in a prominent place in the parlor.
The next day, her handbag weighed down with the coins she had squirreled away from her household allowance, Anna went to the dry goods store and bought a brand-new 1906 Singer sewing machine.
The last time I saw that piano was at my grandmother’s house in Litchfield, Illinois, in 1968.
The last time I saw that old Singer sewing machine was yesterday when my niece and her husband hauled it out of my basement and loaded it into their van. It has passed to the next generation, the fifth to own it and, I hope, to remember its provenance.
William Turner Hefley, a 22-year-old coal miner, and 19-year-old Anna Isabelle Conley were married in 1891 and went to housekeeping, as they used to say, in Hillsboro, Illinois. By 1906, Anna had borne five daughters, of whom the third, Blanche Alberta, was my mother’s mother. (A son would finally arrive in 1915.)
By all accounts, Turner was a hard-working, conscientious fellow, well respected in the community. Although never well to do, he provided adequately for his family, and Anna managed the household well.
A good seamstress, she saved money by making clothes for the children, but she longed for a sewing machine to make the work easier and go more quickly. Turner thought $69.95 was too much to spend on a contraption, and although she argued that it would save money in the long run, he would not agree to its purchase.
Then one evening as he was walking home from work with his months’ wages in his pocket, Turner passed by the music store. On display in its window was a beautiful upright piano of dark, polished wood. He stood gazing at it, imagining his house being filled with music, his daughters taking lessons and becoming accomplished young ladies who could play and sing.
With hardly a thought, he went into the store and bought the piano, then rounded up some pals to help him get it delivered to his house where he installed it in a prominent place in the parlor.
The next day, her handbag weighed down with the coins she had squirreled away from her household allowance, Anna went to the dry goods store and bought a brand-new 1906 Singer sewing machine.
The last time I saw that piano was at my grandmother’s house in Litchfield, Illinois, in 1968.
The last time I saw that old Singer sewing machine was yesterday when my niece and her husband hauled it out of my basement and loaded it into their van. It has passed to the next generation, the fifth to own it and, I hope, to remember its provenance.
Friday, June 8, 2018
Does almost Ph.D. in musicology count?
When I have Facebook open on my PC, there are various temptations off to the right of the main postings -- games to play, headlines, today’s baseball games. I often don’t even see them, but something caught my eye yesterday – an image that looked like part of a cartoon, and it belonged to a group called Music Teachers. I like musical jokes, so I thought I’d click on it and see if I could look at the whole image.
I landed on their group page and was disappointed to see that even less of the drawing is visible. An introductory blurb welcomed all but warned that this was a closed (but not private) group whose membership “is limited to Private, Public, and Studio Teachers” over 18. There were three questions for me to answer, and if they had any doubt about me, my eligibility would probably depend on what the admins were able to glean about my musical background from my Facebook profile.
Well, thought I, let’s just see. I clicked on the Join Group button and tackled the first question:
In what setting do/did you currently or formerly teach music? If you are not a teacher, please answer the next question.
I wrote: Private teacher of piano and guitar; Graduate Teaching Assistant teaching freshman sight-singing and ear-training.
That’s pretty good, isn't it? But, since I no longer teach, I had to go on to the next question:
If you are not currently a music teacher, how do you plan to benefit?
Um. Well, I’d like to see the entirety of that cartoon, which might make me smile, or even laugh, which would increase my overall general disposition and health.
Ooh, well now, I don’t know – inadequate, probably.
Okay, how about – I could have the satisfaction of amusing people by telling stories, like the one about my guitar student Walter who wouldn’t stop looking at his watch, which is why even 40 years later, when I’m with someone who looks at their wristwatch, I automatically say, “Quit looking at your watch, Walter.”
What more could they want besides a former music major with some good stories to tell?
Well, we’ll never know now. I left the page, too afraid of failure even to try. I don't take rejection well. That cartoon might not have been funny anyway.
There was a third box, in which I was to write any number larger than 18, to show that I am not a robot. I doubt any self-respecting robot would try to join that bunch.
I landed on their group page and was disappointed to see that even less of the drawing is visible. An introductory blurb welcomed all but warned that this was a closed (but not private) group whose membership “is limited to Private, Public, and Studio Teachers” over 18. There were three questions for me to answer, and if they had any doubt about me, my eligibility would probably depend on what the admins were able to glean about my musical background from my Facebook profile.
Well, thought I, let’s just see. I clicked on the Join Group button and tackled the first question:
In what setting do/did you currently or formerly teach music? If you are not a teacher, please answer the next question.
I wrote: Private teacher of piano and guitar; Graduate Teaching Assistant teaching freshman sight-singing and ear-training.
That’s pretty good, isn't it? But, since I no longer teach, I had to go on to the next question:
If you are not currently a music teacher, how do you plan to benefit?
Um. Well, I’d like to see the entirety of that cartoon, which might make me smile, or even laugh, which would increase my overall general disposition and health.
Ooh, well now, I don’t know – inadequate, probably.
Okay, how about – I could have the satisfaction of amusing people by telling stories, like the one about my guitar student Walter who wouldn’t stop looking at his watch, which is why even 40 years later, when I’m with someone who looks at their wristwatch, I automatically say, “Quit looking at your watch, Walter.”
What more could they want besides a former music major with some good stories to tell?
Well, we’ll never know now. I left the page, too afraid of failure even to try. I don't take rejection well. That cartoon might not have been funny anyway.
There was a third box, in which I was to write any number larger than 18, to show that I am not a robot. I doubt any self-respecting robot would try to join that bunch.
Sunday, June 3, 2018
A walk or hit batsman doesn't count either
There's an outfit called Binny's Beverage Depot that sponsors some Chicago sports broadcasts. They have dozens of locations in and around Chicago, and we actually stopped at one last year on our way home from Iowa. I’ve visited a few liquor stores in my time, but I’ve never seen so much liquor, wine, and beer in one place in my life, so they're advertising catchphrase is apt -- If you can't find it at Binny's, it's probably not worth drinkin'.
For the last few years Binny’s has sponsored Chicago Cubs baseball, and one of their gimmicks is to donate $100 to Cubs Charities every time the Cubs first batter leads the game off with a hit. I say gimmick because it sounds a lot better than it is. They are hoping you don’t notice that even if every lead-off man in every one of the Cubs’ 81 home games gets a hit, they’d only have to fork over $8,100, and I think a place with 38 locations and a gazillion bottles of booze could do better than that.
But it’s not going to cost them anywhere near that much, since even a really good lead-off hitter (according to MLB stats) starts the game with a hit only 39.8% of the time. At that rate there would be no more than 32 lead-off hits in Wrigley Field, costing Binny’s a mere $3,200.
I think you need to generous up a little, Binny.
For the last few years Binny’s has sponsored Chicago Cubs baseball, and one of their gimmicks is to donate $100 to Cubs Charities every time the Cubs first batter leads the game off with a hit. I say gimmick because it sounds a lot better than it is. They are hoping you don’t notice that even if every lead-off man in every one of the Cubs’ 81 home games gets a hit, they’d only have to fork over $8,100, and I think a place with 38 locations and a gazillion bottles of booze could do better than that.
But it’s not going to cost them anywhere near that much, since even a really good lead-off hitter (according to MLB stats) starts the game with a hit only 39.8% of the time. At that rate there would be no more than 32 lead-off hits in Wrigley Field, costing Binny’s a mere $3,200.
I think you need to generous up a little, Binny.
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